The tide began to turn for the genre as a whole when a few scandals involving disco polo artists and local mafia bosses started to make headlines in ‘96 and ‘97.

But alas, the good times couldn’t last forever.ĭisco Polo was scoffed at from the very beginning by the likes of intellectuals, music critics and professional musicians who viewed it as hokey and primitive (which it was/is). Times were good and Disco Polo labels like Blue Star and ‘bands’ such as Akcent, Bayer Full, Boys and Shazza were pumping out the hits and rolling in the zloties.

By 1995 there were Disco Polo programmes on every major radio and television station and even former Polish President Aleksander Kwasniewski used a Disco Polo song during his presidential campaign that year. Disco Polo quickly conquered every wedding hall, village disco and nightclub throughout the land. By mixing a little Italo Disco (read: Eurotrash Techno) into their Casiotone keyboard folk-anthems, a music revolution was born. This cult genre first emerged in the early 90s as folk musicians and wedding bands finally were able to upgrade their antiquated audio gear (accordions) and buy some shiny new keyboards with built in drum machines (and 70s disco presets). It could have been blaring from a souped-up Fiat Duze rolling by, pulsing from a radio in a Żabka convenience store or been the soundtrack to that local wedding you attended a few months back. In fact you may have already been exposed to it without even realising it. No, it’s not an equestrian sport involving bell-bottomed jockeys (good guess, though), Disco Polo is a rather peculiar and uniquely Polish sub-genre of Europop music.

Disco polo akcent mix